Synopsis: Spaceship Earth is the true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth’s ecosystem called BIOSPHERE 2. The experiment was a worldwide phenomenon, chronicling daily existence in the face of life threatening ecological disaster and a growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially reimagine a new world.

Synopsis
Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Director Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value.

The directors and Udo Kier did a live Q&A on April 1st
If you are interested, click this link to watch!

Synopsis
A few years from now... Bacurau, a small village in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants (among them Sônia Braga) notice that their village has literally vanished from online maps and a UFO-shaped drone is seen flying overhead. There are forces that want to expel them from their homes, and soon, in a genre-bending twist, a band of armed mercenaries led by Udo Kier arrive in town picking off the inhabitants one by one. A fierce confrontation takes place when the townspeople turn the tables on the villainous outsiders, banding together by any means necessary to protect and maintain their remote community. The mercenaries just may have met their match in the fed-up, resourceful denizens of little Bacurau.

Language: English and Portuguese with English subtitles

Synopsis
In post-WWII Leningrad, two women, Iya and Masha (astonishing newcomers Viktoria Miroshnichenko and Vasilisa Perelygina), intensely bonded after fighting side by side as anti-aircraft gunners, attempt to readjust to a haunted world. As the film begins, Iya, long and slender and towering over everyone-hence the film's title-works as a nurse in a shell-shocked hospital, presiding over traumatized soldiers. A shocking accident brings them closer and also seals their fates. The 28-year-old Russian director Kantemir Balagov won Un Certain Regard's Best Director prize at this year's Cannes Film Festival for this richly burnished, occasionally harrowing rendering of the persistent scars of war.

"Critic's Pick. Dazzling... a brilliantly told, deeply moving story about love... from the sensationally talented Russian director Kantemir Balagov." - Manohla Dargis, The New York Times

Synopsis
Fernando Botero is one of the world’s most popular living artists, with millions of fans transcending cultures across the globe. While his art is instantly recognizable, the story of how he became “the Maestro” is largely unknown. BOTERO changes that. This beautifully filmed documentary offers an inspiring look at the power of relentless vision, unwavering conviction and a lifetime of discipline. We follow an unknown, self-taught painter from provincial Medellin in 1932, as he propels himself to the pinnacle of the art world. The film brings together the man and his art to capture Botero’s essence–the quiet resolve and strength of character that allowed him to overcome poverty, decades of harsh criticism and the tragic death of his four-year-old son. Never-before-seen moments come to life as his children uncover 50 year-old sketches in a shuttered storage facility, as our cameras go behind the scenes at as how exhibiting his work alongside Pablo Picasso’s, and as the artist takes us on a private tour of his studio. BOTERO weaves together original footage shot in 10 cities across China, Europe, New York and Colombia, with decades of family photos and archival video. Unprecedented access to the artist and his family is combined with a colorful cast of historians, curators and academics to reveal the creativity and convictions at the heart of Fernando Botero. In his sunlit studio, Botero explains that despite the fame, the accolades, and the financial success, he is still learning and discovering, because “my life is to paint.”

Please note the following:
Magnolia has run into a technical issue with Apple TV. Once purchased, the films function fine through browsers and phones. However, when some users attempts to cast to their Apple TV, the file will only transmit the audio track (not video). We are working on getting this fixed immediately.
When you make your purchase, the receipt you will receive will have a line of text saying: “If you’re having trouble viewing this video, please email booking@magpictures.com and we will send you a replacement file.”

Synopsis:
A confessional and cautionary documentary about Robbie Robertson’s young life, and the creation of one of the most enduring groups in the history of popular music – The Band. The film blends rare archival footage, photography, iconic songs, and interviews with Robertson’s friends and collaborators, including Martin Scorsese, Bruce Springsteen, Eric Clapton, Van Morrison, and more.

TRIUMPHANT. Robertson deeply dissects the Band’s magic and dysfunction, reckoning with the grudges, tragedies and incomparable musical bond.”
– David Fear, Rolling Stone

Synopsis
Myriam (Leïla Bekhti) and Paul (Antoine Reinartz), are your typical pair of Parisian bobos and parents of two young children, toddler Adam, and 5-year-old Mila, who are taking up all of Myriam’s time. When Myriam decides to go back to work despite her husband’s initial reluctancy, the couple starts looking for a nanny. After a very selective process, they finally find the perfect candidate, Louise, a poised 40-year old woman who is an instant hit with both kids and parents. But appearances can be deceiving, even dangerous… Adapted from the eponymous novel by Leïla Slimani, winner of the Goncourt prize, and based on a a true story that took place in Manhattan in 2012, the film offers a true pedestal to Karin Viard who seizes with formidable mastery this role of a disturbed nanny whose mask of perfection gradually cracks.

Language: French with English Subtitles

Synopsis
Flailing thirty-four-year-old Bridget (Kelly O’Sullivan) finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances (played by a scene-stealing Ramona Edith-Williams). But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’s moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family.

Synopsis

The British working class is once again the empathetic subject of Ken Loach’s SORRY WE MISSED YOU, a wrenching, intimate family drama that exposes the dark side of the so-called “gig economy”.

Ricky, a former laborer, and his home-attendant wife Abby—who lost their home in the 2008 financial crash—are desperate to get out of their financial distress. When an opportunity comes up for Ricky to work as his own boss as a delivery driver, they sell their only asset, Abby’s car, to trade it in for a shiny new white van and the dream that Ricky can work his way up to someday owning his own delivery franchise.

But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor and the needs of their two teenage children. Capturing the sacred moments that make a family as well as the acts of desperation they need to undertake to make it through each day, this universal story is skillfully and indelibly told with unforgettable performances and a searing script by Loach’s long-time collaborator Paul Laverty.

Synopsis
Pauline Kael (1919-2001) was likely the most powerful, and personal, movie critic of the 20th century. Writing for The New Yorker and publishing a dozen best-selling books, she ruthlessly pursued what made a movie or an actor’s performance work, or not, and why. Her passion made her both admired and despised amongst her readers and her subjects. Pauline’s own story is one of struggle and obsession: the fight to establish her voice and have it heard, and to raise a daughter on her own in a time when the obstacles were high. The latter golden age of movies of the 1960s and 1970s are the focus of this film that pursues the question of what made Pauline Kael’s work so individual, so controversial — and so damned good.